Welcome back to your television serial making guidelines. If you'll need a recap we'd already seen the fixed kinds of necessities like storyline, characters or sets. Now let us move ahead to moving ones.
The Story and Dialogue Writers: Having only one writer is a risky proposition. You ought to ideally have a board of writers, if one doesn't blow out of his/her mind others deliver. Teri Meri Dooriyan The never ending storyline needs a similarly endless method of getting dialogues to carry on the show episode by episode. In a specific scene you will need to create the utmost possible dialogues and because of this the board of writers would come as a bonus. Should they quarrel over it, that's only natural, maybe you obtain a brand new twist-wish idea to include new angles-triangles or why not a hyperbola in the story that may again generate new streams of dialogues. You will need to keep a wrist watch on viewers too; boring them now and then is okay, but you have to never drive them mad. The channel producers, remember?
The Director: Because you would be the director you ought to be the toughest nut to break. Okay it is your baby and naturally you like to be the leader and friend-philosopher-guide. However in actual practice you have to be a ruthless dictator taking decisions unilaterally and respecting no one but the channel producers. In case a particular character actor is creating problems s/he must get killed in the serial; on the demand of the producers a dead character may need to be brought alive; many others may need to be replaced; ushering in an occasion transition or injecting one and more absurd characters in to the serial; and, so on. Katha Ankahee Every one of these situations demand your decisions only. We advise you to help keep one or two episode directors too as could be the case in lots of soaps. We've good reasons. First, one director is directly identifiable and is a sitting duck for irate viewers, if any. Second, the endless monotony may be an excessive amount of for you personally and you might lose your sanity. Third, when it comes to channel producers the buck will always stop exclusively at your end only.
The Time Pass: This time around pass is from the viewpoint of serial makers, not viewers. Making an endless serial is not at all easy. So you have to carry on creating rooms for frequent time pass tactics. You do it insurance firms merry go rounds of dramatic reaction shots parading your entire characters in the hall that may take you over one or more episodes; insurance firms dialogues that never cease; giving extreme shock treatment to one or more characters who lose their capability to speak and communicate only through loud music that may last around one or more episodes; by bringing in absurd characters and making their stories count; and, by the like.
Conclusion (?): Since every one of these guidelines are enforced relentlessly some normal doctrines like good wins over evil get neutralized. Yeh Rishta Kya Kehlata Hai serial Evildoers in serials carry on doing evil that may include even murder as law enforcement authorities are never called in, because entry of police may veer the serial to a logical end. You simply compensate by creating temporary relief measures now and then. Thus, the antagonist becomes the key to the success of never ending serials. At the receiving end we could only try get accustomed to it.
So, make your serial in India and have never ending fun!
Chinmay Chakravarty is a professional specialized in the creative field with over 2 full decades of experience in journalistic writing, media co-ordination, film script writing, film dubbing, film & video making, management of international film festivals and editing of books & journals. Experienced in providing professional services in these related fields. Presently in Mumbai Doordarshan as a News Editor.
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